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The Divided Horsecloth – France
There are probably more short stories, as there is assuredly a longer and more continuous development of the form, in the French than in any other literature of the world. In the earliest efforts of native writers, long before the close of the Middle Ages, are to be found the seeds of those lively and often beautiful forms that flourished from the Twelfth to the Sixteenth Centuries—Fabliaux, Lays, devotional and miraculous tales.

From the epic Chansons de geste, beginning with the Song of Roland, throughout the whole period in which these remarkable poems thrived, the trouv’eres and troubadours incorporated independent and unified anecdotes and episodes into their long romances of chivalry and gallantry. These were in effect romantic and religious stories, treating of war and love and wonder and pious devotion.

But the earliest examples of independent tales are found in the Fabliaux. Although these were written in verse, they were the delight of the middle and lower classes: the verse was scarcely poetry, it was only a medium for the telling of the story. Of the hundred and fifty examples that survive out of the many thousands written, the first Fabliau dates from 1159, and the last from 1340.
Divided Horsecloth
Most of them were anonymous, but among the few names of writers that have come down to us is that of Bernier, which is still remembered, because he wrote the exquisite Divided Horsecloth. The famous poet Ruteboeuf also wrote Fabliaux, but he is better known for his other productions.

The Divided Horsecloth – For several reasons—still a matter of dispute among literary historians—the Fabliau suddenly disappeared about the middle of the Fourteenth Century. The other more or less’ similar forms—like the Lay, the Miracle and the Devotional Tale—still continued sporadically up to the end of the Middle Ages.

The Divided Horsecloth part 8

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“Fair, sweet son, my heart trembles within me, so greatly do I dread the cold. Give me, then, the cloth you spread upon your horse, so that I come to no evil.”So he, seeing...

The Divided Horsecloth part 7

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“Ah, fair, sweet son, what is this thou sayest to me! For the love of God turn me not from thy door. I lie so close that thou canst not want my room. I...

The Divided Horsecloth part 6

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Thus before the witnesses he divested himself utterly of all his wealth, and became naked as a peeled wand in the eyes of the world, for this merchant now had neither purse nor penny,...

The Divided Horsecloth part 5

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The eldest of these brothers had a daughter, but the mother of the maid was dead. Now this damsel owned in Paris a certain fair house, over against the mansion of the wealthy merchant....

The Divided Horsecloth part 4

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For very greatly are those loved and esteemed by their fellows who are courteous in speech` and address. He who has fair words in his mouth receives again sweet words in his ear, and...

The Divided Horsecloth part 3

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Bernier(12th or 13th Century, a.d.)Nothing is known of the author of this story except his name, which is signed on the MS. The Divided Horsecloth is one of the best examples of a type...

The Divided Horsecloth part 2

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With the opening of the Seventeenth Century the short story was overshadowed by the drama and the long-winded sentimental ro¬mance, although such writers as D`Alcripd, Tallement des Reaux, Camus, and Sorel assiduously applied themselves...

The Divided Horsecloth part 1

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FranceThere are probably more short stories, as there is assuredly a longer and more continuous development of the form, in the French than in any other literature of the world. In the earliest efforts...

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